There
are good Doctor Who episodes
and bad ones, great ones and terrible ones. Most are a mixture of
these qualities, with the good generally outweighing the bad, but
with a few the other way round. Every once in a while, though, an
episode comes along with a frustrating mixture of good and bad and
everything in between, making it extremely difficult to provide an
overall opinion of the episode. Even averaging it all out to
“mediocre” doesn’t truly convey the experience of watching the
episode.
“The
Lie of the Land” by Toby Whithouse is one such episode. There is
much about the episode that is really good—individual
moments that thrill and entertain, a compelling concept and setting,
some great performances, and more. Yet there is also so much that
just doesn’t hold together—scenes that don’t add much to the
overall story, a compelling setting that’s never
really explored, and more. As
the conclusion of a three-part epic, the episode falls completely
flat. The story begun and developed in “Extremis”
and “The Pyramid at the End of the World”
suddenly seems superfluous and those two episodes kind of pointless,
as “The Lie of the Land” doesn’t really do anything to build
on them, particularly in developing the Monks, who in this episode
become relatively generic villains and lose all that made them work
so well in the previous two.
“The
Lie of the Land” starts so well, too. We
get an intriguing glimpse of the dystopic world the Monks have
created in the wake of Bill’s granting her consent at the end of
the last episode. The pre-titles sequence sets the scene perfectly
and the initial moments of Bill trying to keep her memories and
having an imaginary conversation with her mother all help to build on
the sense of doom. There are elements of “Turn Left” and “Last
of the Time Lords” and the episode definitely seems to be trying to
convey the same kind of mood as those earlier stories. But
where those stories remain engaged with their settings throughout,
“The Lie of the Land” creates its setting and then mostly never
engages with it again after the opening moments. Once Bill is
reunited with the Doctor, further engagement with the setting pretty
much stops entirely.
A
major issue in “The Lie of the Land” is that it
spends too much time on
things that are ultimately rather inconsequential, and is not left
with enough time truly develop its central concepts. The scenes with
Missy are a good example of this. I like these scenes. I really do.
And Michelle Gomez is absolutely captivating in them. They do serve
as good character moments for Missy, but the episode isn’t really
about her. Ultimately, the Missy scenes are more about advancing the
series arc—providing us with the very captivating idea that Missy
is trying to reform (or more likely, pretending to). This would be
fine—great even—if the scenes didn’t sacrifice the
development of this episode.
The
biggest culprit, however, is the entire segment with the Doctor
“testing” Bill and goading her into attempting to kill him. The
plot point of the Doctor colluding with the Monks is initially set up
as a major part of the episode. Viewers no doubt assume, as Bill
initially does, that he is pretending and working towards some sort
of plan. Personally, I thought that the Doctor’s plan was to
convince Bill that he has switched sides (and that part turns out to
be true) because Bill would turn out to be the link that allows the
Monks to maintain their deception of the world (which also turns out
to be true). Where my thought differed from what actually happens is
that I assumed the Doctor was trying to make Bill lose faith in him
(similar to what he does to Ace in the story “The Curse of
Fenric”). Since Bill’s consent is given from her love for the
Doctor, losing faith in him would then destroy the link.
I
expected Bill’s loss of faith to play out slowly over the course of
the entire episode, so was quite surprised to see her reaching for a
gun to shoot the Doctor only partway through. But my issue here isn’t
that the episode plays out differently than I expected it to. That
sort of thing happens all the time. Rather,
it’s that it plays out in a way that is not all that believable
(partly through happening much too fast), and is then discarded and
completely forgotten about. Bill is briefly annoyed at the Doctor’s
actions, and then it’s never mentioned again. What exactly its role
is in the story is hard to say. It doesn’t work as character
development as any consequences from it are immediately discarded. It
also doesn’t really affect the resolution in any way. About all it
does do is introduce a bunch of mostly nameless soldiers that the
Doctor has apparently spent time carefully freeing from the Monks’
control, and then provide absolutely no development or
personality for any of those characters whatsoever.
It
also does provide an utterly bizarre fake regeneration. I can buy the
Doctor being showy and over-the-top in his performance. But there are
still a couple problems. Bill doesn’t know what regeneration is.
She’s never seen one and shouldn’t be able to recognize one, and
just recently (in “Knock Knock”), the Doctor
purposely avoided telling her about regeneration when he accidentally
let the word slip. The implication at that time was that the Doctor
didn’t want her to know about it. Of course, the Doctor being the
Doctor, he might have changed his mind, but it would be nice if the
show actually let us know these things.
Ultimately,
the fake regeneration seems more a tease for the audience than for
Bill, and I don’t like that. I don’t mind when shows tease the
audience, but it needs to work in the context of the story, and it
just doesn’t here.
After
the fake regeneration, the episode changes directions and becomes
about the Doctor and friends making a direct assault on the Monks
(plus a side trip to talk to Missy). And this leads to another
major problem with the episode: the Monks themselves. The Doctor and
friends have far too easy a time against them. I actually really like
the revelation that there are only twelve Monks in total. It doesn’t
contradict anything we’ve seen about them previously and is a great
way to place a limit on their expansive powers—except that they
never use those expansive powers.
Over
the last two episodes, we have seen the Monks do all kinds of
incredibly powerful things. They have run simulations of the entirety
of Earth history to make incredibly accurate predictions of the
future, yet here are completely oblivious
to anything
the Doctor’s group is doing. They have been able to take control of
planes and missiles trying to attack them, but here do nothing at all
to stop the Doctor deliberately crashing a ship (and don’t even
appear to notice—did the
Monk who appeared on board earlier leave the ship at some point?).
They can cure the Doctor’s blindness from halfway across the world,
but can’t stop him and his small band from just walking into their
pyramid. The only defence they put up at all is to fire
lightning-like bolts at short range and create small personal
shields. Given their abilities just last episode, couldn’t they
just teleport the Doctor’s group away?
The
Monks feel like completely different enemies in “The Lie of the
Land” compared to the previous two episodes. Indeed,
they feel like generic alien invaders. Their aspects that made them
unique are completely absent. Most disappointingly, the episode never
once explores their concept of consent—the very thing that formed
the basis of how they successfully invaded last episode. Instead, it
leaves them without any hint of motivation or
purpose.
Also,
why doesn’t the Monk on the prison ship recognise Bill? Considering
she’s their link, wouldn’t the Monks make sure all of them
(especially since there are only twelve) know her by sight? Really,
wouldn’t they be monitoring her all the time?
Perhaps
the most frustrating part of “The Lie of the Land” is the very
end, after the Monks have departed. The only time they display
anything resembling the power they had in previous episodes is when
they leave and very conveniently make the whole world forget. Doctor
Who has had a long history of
humanity not noticing or forgetting about the various alien invasions
it’s faced. Indeed, the show has made it into something of an
ongoing joke, poking fun at how unobservant people can be. However,
in the vast majority of cases, the situations that have been ignored
or forgotten have been fairly localised. For
a while during the tenth Doctor’s time, when things began happening
on a larger scale, the show actually had people remembering events,
but most of this was undone during the eleventh Doctor’s time. It’s
a way for the show to ignore any long-term consequences of an
episode.
Having
the Monks erase the whole world’s memory of their presence (except
the Doctor’s and Bill’s of course) is clearly meant to poke fun
at the show’s tendency to do this sort of thing. However, it
creates all kinds of problems, not the least of which is perpetuate
the show’s
no-consequences problem—a problem I have taken issue with many
times. And I have no doubt that the consequences of the memory
erasure
(such as the friends and relatives of all the countless people the
Monks killed now having no idea what happened to their loved ones)
will be completely ignored in future episodes.
Despite
the frustrating aspects of “The Lie of the Land”, however,
there’s also quite a bit of good in it. As I mentioned before, I
really enjoy the scenes with Missy. The actual resolution where
Bill’s imaginary memories of her mother are what defeat the Monks
is really well done and works reasonably well. It would work even
better if there was a better lead-up to it, but overall, it’s a
strong resolution. The idea
that it takes a fantasy to unravel a fantasy is really quite clever.
In
my review of “The Pyramid at the End of the World”,
I had intended to comment on the way the episode inverts the “love
saves all” trope by having love doom all. Unfortunately, I managed
to forget to include that. However, one way in which “The Lie of
the Land” actually builds on what came before it is by reversing
that again. The “love saves all” trope has been poorly used in
Doctor Who in recent
years, but here it works. It not only builds on the end of “Pyramid”
but also ties together the threads about Bill’s mother that have
appeared throughout the series so far. In particular, it brilliantly
ties back to the pictures of her mother the Doctor gave Bill in “The Pilot”, an
act which allows her to visualise her mother well enough to defeat
the Monks (and which gives the Doctor a somewhat legitimate reason to
take credit for Bill’s success).
Of
course, the whole concept of the Monks creating a fake history ties
into current real-world events surrounding the idea of fake news. The
Doctor even calls the Monks’ device, “Fake News Central”.
I
do wish there were a bit more consequence for Bill at the end. We are
told earlier that for Bill to defeat the Monks, she
would have to die or have her
mind destroyed, yet she comes through the whole thing completely
unscathed. I’m not suggesting she should have died, but perhaps
knocked unconscious for a while or something like that. But this is a
minor point.
Pearl
Mackie gives an incredible performance throughout. Even though the
script makes her decision to shoot the Doctor happen a little too
quickly to be credible, her performance sells it, and she makes
Bill’s struggle to defeat the Monks at the end emotional and
moving.
Overall,
I suppose I would have to consider “The Lie of the Land” to be a
rather poor episode of Doctor Who
and definitely the weakest of Series 10 so far. There is a lot of
good in it and it’s entertaining to watch, but but it’s also
highly frustrating and unsatisfying.
I can’t help but feel that the story was not originally written as
a conclusion to the Monk trilogy and by making it the conclusion, it
could no longer effectively tell its own story and wrap up the Monk
one
as well. I have no idea if this is really the case, but it would
explain why the Monks in this episode are so unlike the Monks in the
previous two episodes. Unfortunately, as such a poor conclusion to
the Monk storyline, it kind of pulls down the previous two episodes
as well, and that’s a shame, given how good Series 10 has been so
far otherwise. Oh well. I have a feeling there's still some good stuff with Missy to come.
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