When
Wizards Vs Aliens
first premièred last year, I was eager to see it, coming as it did
from the same people responsible for The Sarah Jane Adventures.
There was good reason to believe it would be good. And it was, albeit
not as good as I’d hoped it might be. Nevertheless, it was good
enough to keep me eager for the second series. I saw a lot of
potential in the series, even if many of its characters only
occasionally rose above the stereotypes they were based on. So I was
quite glad to learn that there would, indeed, be a second series. The
first year of a show is often a time of figuring out what it can do
and what its overall direction will be; the second year is often the
year when the show demonstrates whether it will sink or swim.
Like
last year (and like The Sarah Jane Adventures before
it), this new series of Wizards Vs Aliens
is made of two-episode stories. There are fourteen episodes this year
instead of twelve, airing two per week over seven weeks. One of the
forthcoming stories this year was originally written for the fifth
series of Sarah Jane,
but was one of the ones not filmed before Elisabeth Sladen’s
untimely passing. The fact that it has been rewritten as a Wizards
Vs Aliens story kind of shows
the spiritual connectedness between the two shows and I’m eager to
see how it works. The final story of this year is written by Russell
T Davies (his first script for the show he co-created) and I’m also
eager to see that one.
The
second series première,
“100 Wizards” by Phil Ford does not yet achieve the potential I’d
like to see from the show. It’s very much a re-establishing of the
premise after nearly a year off the air. But I certainly haven’t
given up hope. I still see the potential and still hope that this
season, Wizards Vs Aliens
will significantly “up its game”. Indeed, “100 Wizards” is a
great deal of fun overall, and fun is a great deal of what the show
is about. It took me a little while to get into the story, but by the
end of the second episode, I was fully engaged in what was going on.
So in that respect, “100 Wizards” succeeds admirably.
SPOILERS
FOLLOW
The
story’s greatest success is in the character of Chloe. She is a
character that, by the end, I was able to empathize with a great deal
more than most of the other characters after having had an entire
previous season to develop them. Indeed, if there’s one downside to
the focus on Chloe, it’s that the other characters remain the
clichés they were in the first series—especially Benny. Even after
the long break, I’m still tired of his improbable abilities to make
electro-magnetic pulse guns at home, while still apparently blowing
things up in his experiments (a truly smart person would not be
blowing things up on a regular basis; there’s a reason why
scientists around the world aren’t constantly destroying things).
He remains the epitome of the television nerd, and he really needs to
develop a personality beyond that. Even characters who have had some
decent development in the past, like Lexi, revert to their base
stereotypes in this story.
The
development of Chloe is very much geared towards creating the shock
of the ending, and it works well. I did not expect that ending,
although in retrospect, I probably should have. Considering that she,
Tom, Ursula, and Benny were all aware that the Nekross knew the
location of her orphanage, it was incredibly short-sighted of her to
return to it. It was similarly so for Tom and the others not to think
of what might happen either. In this respect, I’m glad that the
show was willing to provide consequences, even though I didn’t
expect the show to go quite so dark—especially after the uplifting
tone of the rest of the story.
Of
course, this isn’t the first time we’ve seen the Nekross
successfully drain a wizard of magic, but it is the first time it’s
happened to a character we’ve come to know and even like. In some
ways, this is a good development for the show, as heartbreaking as it
is (and the final scene of now-elderly Chloe watching Tom from a
distance is truly heartbreaking). It helps to raise the Nekross
beyond the cartoonish villains they often seem to be (even throughout
the rest of this story). It creates a real threat—and a real threat
adds tension.
However,
I do have my concerns about the ending. By draining Chloe, the show’s
makers have effectively “fridged” her. Fridging
refers to the killing off of a character for the purpose of advancing
the hero’s storyline. Now, to be fair, this can be a powerful and
dramatic technique used in moderation. However, it’s not really
used in moderation and in the vast majority of cases, it is a female
character who dies to provide motivation for a male hero—in this
case, Tom (assuming, of course, that she is not simply forgotten
about in the next episode, which would be an even worse fate).
Wizards Vs Aliens has
technically even done it before with the death of Tom’s mother
(although admittedly, her death happened before the series began).
Yes, Chloe is not technically dead, but with her magic completely
gone and her aged to a point of feebleness, the
story has essentially removed her, making her fate little different
than death. She’s
lost all her agency. All the development we saw of Chloe—everything
that made us (and Tom) like her—turns out to be for Tom’s benefit
rather than hers, to give him another reason to fight on and avenge
her, and perhaps a reason to take his character through a period of
self-doubt and mourning while he learns to get better and stronger as
a result.
It’s
a shame really, because up until those closing moments, I honestly
thought she was going to be a new regular character. I really liked
her. I even like the cheesy effects whenever she and Tom kiss
(although that is primarily because they actually acknowledge the
effect by having her ask if it will happen every time). Her
relationship with Tom develops incredibly fast, but that’s not
really unusual in television and movies. That said, the rate of
development probably should have clued me off to the fact that she
wouldn’t be sticking around. If she had been, they might have
allowed more time for the relationship to develop naturally.
Nevertheless, I think she would have been a great addition to the
cast. Her training as a wizard would have given the show a new point
of view and direction for the show to take in its second season.
In
many ways, her story reminds me of Jackson Hawke’s from Series
One’s “Rebel Magic”. Jackson was
another character who was there for the benefit of Tom’s heroic
journey and another character who, logically, really should have
stuck around at the end of the story, but instead was hastily written
out. Note, however, that the male Jackson gets to survive at full
strength for a possible return appearance in the future, while the
female Chloe loses all her abilities and becomes a feeble old woman.
She doesn’t even get to go out heroically. Her end comes after
the day has been saved, when
she’s just rounded up and essentially executed. All she gets to do
is utter one last line of defiance where she tells the Nekross that
Tom will get them for
this. It’s disappointing to see from the same people who brought us
the wonderfully progressive Sarah Jane Adventures.
Chloe’s
fate aside, the core story of “100 Wizards” is pretty
straight-forward Wizards Vs Aliens
fare. As I mentioned earlier, it serves to reintroduce old viewers
and introduce new viewers to the concepts of the show. The opening
sequence is very similar to the opening of “Dawn of the Nekross”, the
first story of last season, except that this time, the wizards
conducting their ritual are saved from the Nekross by the timely
arrival of Tom and Benny. We are introduced to the home planet of the
Nekross for the first time, but other than that, there is no real
development of any of the regular characters or past plotlines. But
nonetheless, there is a great deal of fun to the story.
I
was particularly bemused by the general ineffectiveness of the 100
wizards, who mostly stand around and don’t do anything unless
pushed to it by one of the regulars. While magic may not work
directly on the Nekross or their technology, as is pointed out in the
episode itself, magic can effect other things that can effect the
Nekross. Wizards get three spells per day. Taking into account that
some of the wizards may have used some or all of their spells prior
to being captured, that still ought to leave a hundred or more spells
at their disposal, yet we only see two of them cast a single spell
each! Then again, in many ways, this just shows how human wizards
are. In large crowds, many people become ineffective and simply
follow the flow of everyone else. Why should wizards be any
different?
Overall,
I enjoyed “100 Wizards”, although I think it’s far from a
perfect story. It does succeed in reintroducing the show after the
break between series, and it manages to make viewers care for the new
character it introduces and then essentially kills off, giving what
seems at first to be a light-hearted episode a surprisingly dark
ending. I remain hopeful for the remainder of the series and I look
forward to the coming episodes.
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